Tag Archives: Children’s Books

Introducing Fiona Veitch Smith and Crafty Publishing: David and the Hairy Beast claws its way to market

Fiona Veitch Smith

Fiona Veitch Smith

I MET FIONA VEITCH SMITH online via the Association of Christian Writers facebook group, where she was telling us a bit about her experiences of trying to persuade Christian bookshops to stock her new children’s book, David and the Hairy Beast.

Curious to know more, I checked out her website where I found, to my delight, an excerpt — and loved it. Hopefully, you will too — and you might even find your customers like it as well, but there’s only one way to find out about that…

I invited Fiona to tell us all about it. She writes:

David and the Hairy Beast claws its way to market

When we read of bookshop chains shutting down, publishing contracts becoming scarcer than a footballer without a super injunction and the bogey man of the e-book market changing the way we consume books, then you would be forgiven for raising an eyebrow at a new company launching its pilot title – in hard copy. Add to that the fact that the pilot is ‘self-published’ and the more business savvy among you may well be tutting in disdain. And yet, that’s what Crafty Publishing is doing. My husband Rod and I felt called to start Crafty Publishing using some of the redundancy money he received after being ‘released’ from the NHS. Our vision is to test out the market and distribution chains with a series of children’s picture books that I’ve written and then, if all goes well, start taking on other titles.

But we’re not going into this blindly. I am not a wannabe author who is so desperate to see her name in print that I’d sell the family silver to see it happen. I am already published and produced in a variety of genre including theatre, film and books. I’m currently working on a non-fiction book contract with Lion Hudson and a devotional booklet contract with CWR as well as continuing to work on a series of ghost-written children’s books for the secular market. In addition, I have worked as a freelance editor for Tafelberg Publishing in South Africa as well as for a number of magazines (in the UK and SA).

So why am I publishing my own work? I got a taste for the business side of self-publishing about eight years ago. My first book, Donovon’s Rainbow, was published in South Africa by Vineyard International Publishing (who have subsequently discontinued their children’s line). The book was not distributed beyond Vineyard bookshops in the UK, so when I moved back here in 2002 I asked permission from the publisher to distribute it. Effectively then I took on the job of a self-publisher. I entered the book for the Writers’ News best self-published / independently published children’s book of the year award in 2002 and won. The award gave me confidence to tackle the market and I was able to distribute the book to around 20 bookshops in the UK (secular and Christian).

It was a steep curve and I quickly had to learn about things like wholesale discounts the pros and cons of sale or return, the horrors of cold calling and the shaky financial footing of independent booksellers. I also realised that the title I was trying to sell did not fit easily into existing age categories and that the cover made it look as if it was for a younger readership than it actually was. Despite that, the book went into profit, but we would not do it the same way again.

So when my husband and I decided to launch our own title this year, we had some background to draw on. In addition, since 2002, the internet has become a much more effective marketing tool and as he is a professional software developer, he has been able to tackle that side of things.

But it’s still a scary world out there for a new publisher, not least when dealing with some bookshop managers who consider any ‘retelling’ of a bible story with the same abhorrence they normally reserve for Satan (or Rob Bell). However, there are some great folk too and in the month since the title’s been launched, five bookshops have agreed to stock us and our online sales are ticking over very nicely.

David and the Hairy Beast

David and the Hairy Beast

Our pilot title is called David and the Hairy Beast (retailing at £5.99) and is the first in a series of six books about the childhood of King David. The illustrations are by my design partner, Amy Barnes. We’re working on the next book, David and the Kingmaker, now. It will be ready for distribution in October, in time for the Christmas market. We’ll see how sales go in the New Year before launching the third in the series David and the Giant.

To find out more, please visit www.craftypublishing.com

Fiona Veitch Smith
e: Fiona AT thecraftywriter.com
www.thecraftywriter.com
www.craftypublishing.com
facebook.com/pages/Crafty-Publishing/229271997105270

Message in the Sand: Introducing A New Children’s Hero

Message in the Sand (front cover)

I met Charmaine Aserappa at the church my wife, Sue, and I attended last weekend, St Francis of Assisi, Isleworth. Charmaine told me about her forthcoming book, Message in the Sand, and kindly sent me a pre-publication pdf copy. I loved it, both the story and the pictures: simply but powerfully told, boldly and beautifully illustrated, and I’m looking forward to seeing the final published version. In the meantime, I’ve invited Charmaine to tell us all about it. She writes:

The tide recently brought in an intriguing invitation, which had travelled across the globe, from Manila to Boston to San Francisco to London. The executive director of CANVAS, a sophisticated arts/environment non-profit organization, liked my first book, In a Japanese Garden, a meditation on Nature. He invited me to write an environmental children’s book for a Filipino artist to illustrate, and I was honoured to accept.

Message in the Sand, pp.8-9

Message in the Sand, pp.8-9

The beautiful beaches I have been blessed to enjoy, on the Arabian Sea and on the Indian, Pacific and Atlantic Oceans, compelled me to choose marine pollution as the environmental focus of the book, Message in the Sand. An art book for children, it introduces the young eco-champion, Miguel, a new kind of hero for a multi-ethnic world.

Miguel loves the sea and sets out to save it. He is armed only with faith, imagination and his mother’s love and encouragement; his only weapons are those that the sea has provided for its own preservation – seashells, seaweed and sand. With these simple tools, Miguel must battle two giants: the powerful mining company, whose toxic waste is ruining the beach and killing the beautiful fish and seabirds; and the powerful ocean that keeps washing away his words.

The book teaches gentle lessons in perseverance, and in finding unusual and peaceful means to effect change. It inspires and empowers children to act against seemingly insurmountable odds, showing us how even one child can make a difference.

Message in the Sand, pp.12-13

Message in the Sand, pp.12-13

Message in the Sand showcases the magnificent sandy beaches, fascinating fish and exotic coral reefs and seabirds of the Philippines, its exquisite paintings transporting us to the beach, by detailing the iridescence and shapes of shells, the shades and powerful surge of the waves, the lush tropical plants and the texture of the sand.

Gigo Alampay of CANVAS assigned the rising young artist Roel Obemio to illustrate Message in the Sand, and it has been thrilling to see Roel tenderly and amusingly render my story in brilliantly colourful, large-scale acrylic-on-canvas paintings, portraying the characters as unforgettable and endearing. His signature naïf style is inspired by the bountiful art of Fernando Botero of Colombia.

I grew up with great respect and admiration for the divine creation, and the need to conserve it. My father photographed wildlife in Asia and Africa, my uncle was the Conservator of Forests for Sri Lanka, and I delighted in Nature from an early age. Message in the Sand makes us aware of how we all share this wonderful but fragile planet, and how children must be taught that caring for it is the sacred duty of every human being.

Miguel, named for the Archangel, also fights a spiritual battle. These days, many books exploit and endanger children by exposing them to witchcraft, the occult, sorcery, magic, horror, and the depressing side of life. Miguel bucks this unsavoury trend, offering parents an alternative hero for their young children. Active and positive, he lives in the real, not the fantasy world, he is challenged to overcome its real evils; he places his hope in prayer, not in spells… and he has the victory.

The book, and a complete range of attractive giftware featuring the paintings from Message in the Sand are available on www.canvasdownstream.com. All proceeds will benefit CANVAS promotions of Philippine art, culture and the environment.

True to its international origins, Message in the Sand will be given a dual launch: the prestigious Ayala Museum in Manila will launch Message in the Sand in the East on November 27th 2008, with a major exhibition of the paintings from the book; and the Embassy of the Philippines in London will launch it in the West. May it sail on, to spread its message all over the world, to the greater glory of God.

Charmaine Aserappa

About the Author
Charmaine Aserappa volunteers as Communications Officer of an Anglican church in London named in honour of St. Francis of Assisi, patron saint of the environment. She worked for the finest book publishing houses in Toronto, New York and London and now promotes human rights.

Her first book, In a Japanese Garden, (with woodcuts by Akiko Naomura; Council Oak Books, San Francisco, USA 1999) is a Publisher’s Weekly Top Ten Gift Book, an Amazon.com Five Star, ‘Most Wished For Book’ in Christian Poetry and ‘Most Gifted Book’. In a Japanese Garden appears on Bestseller Lists all over the world in categories as diverse as philosophy, architecture, the environment and poetry, and is used in many schools.

Ms. Aserappa is the daughter of an English mother and a Sri Lankan father, and has lived in Asia, North America and Europe. Her son, Nicolas, is an artist, photographer and writer.

Animal Tales

UKCBD > Christian Book Reviews > Books for Children and Parents > Animal Tales


Animal TalesAnimal Tales 
A set of four board books

Heather Henning with illustrations by Gillian Chapman 
ISBN 9781853454639 (185345463X) 
CWR, 2008 
£9.99

Category: Books for Children and Parents 
Reviewed by: Jeremy Kirby

A biblical exposition of Genesis 1 (“Let the land produce living creatures according to their kinds”, etc.) pitched at toddler level — this is great stuff! Have you ever wondered why God gave camels, pigs and elephants such odd noses? (shades of Job 39…). Or why frogs, deer and pandas have such different feet? This is where you will find some answers — accompanied by some striking illustrations that really do highlight some of the more curious animal attributes littering Creation. The four board books focus in turn on feet, noses, tails and coats. The texts are simple, to-the-point, two-liners ideal for reading to little children: “Mountain Sheep clings onto rocks with his hoofs. It’s fun to climb!” (inspired by Habbakuk?) Or: “Hedgehog curls under the spiky coat God gave him. It’s sleepy time!”

Granted, the books occasionally leave something to be desired in the realism department. Based at least on my trips to zoos, elephants, rhinos and hippos are not generally mauve coloured, nor are lions’ manes scarlet. I find toddlers can be surprisingly perceptive in these matters. Mine wasn’t too impressed by the pig either, which bears no resemblance to any pigs I or, apparently, he, have ever seen either in real-life or in books. The choice of illustrations also includes a few probably unfamiliar to toddlers reared on British children’s literature (lemurs, anyone?).

These, however, are minor quibbles. The general impression of these board books is excellent. My two-and-a-half-year-old thinks the pictures are really cool (the pig notwithstanding) — and he actually seems to get the message: God really thought up all these crazy creatures, and that craziness sometimes has a purpose. All in all, these are child-friendly books embodying some pretty solid, contextualised theology — for my money, they’re a winner.

Jeremy Kirby, September 2008

Jeremy Kirby teaches at Calvary Chapel Bible College in Siegen, Germany, and is a Distance Learning student on London School of Theology’s MA course in Hermeneutics. He is married to Claudia and has two sons.

CWR

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