Tag Archives: Christian publishing

London Book Fair 2012: A Personal Perspective

I attended the London Book Fair at Earls Court this month; the first time in several years. I was left with several over-riding impressions.

The Fair remains the premier International Book Fair. It was busy – very busy – with 25,000 delegates, half from overseas, attracted by the 1,500 exhibitors from 57 countries. The Bookseller suggested that the USA DoJ ruling on the Agency Model (eBook pricing) had dampened the mood considerably for rights sales.

I am very much against this ruling as it simply hands yet more power to an already menacing monopoly. I applaud those Publishers who have decided to fight this rather simplistic ruling. Amazon has already done considerable damage to our High Streets, and not just to Bookselling. It’s quite foolish to view Amazon as a consumer champion.

China – this year’s Market Focus - with their visually stunning Fair Pavilion (designed by Yang Liu). The Market Focus logo was in the shape of a hand-fan as used by the Royal Family in China 1500 years ago. LBF reported that China had sent 1,200 people (including 50 authors) representing 180 publishers – quite a commitment! So why China? Well, English and Mandarin are the two dominant world languages and China is a vast country with a 1.3billion population speaking over 50 dialects. It’s projected to overtake the USA as the world’s largest economy within the next 20 years or so, and yet paradoxically it’s still 90th on the GDP index despite its recent spectacular economic growth.

The sheer size of the country with its many regional imbalances and huge social challenges is overseen by the pro-business centralised Government. For the Western creative industries, protection of Intellectual Property and Copyright remains the pressing issue. Good quality translation skills remain scarce.

There is the inevitable controversy over issues of censorship when judged by the ideals of liberal democracy. Indeed, the Fair’s impressive China and Europe Publishing Forum attracted a goodly number of silent placard waving protesters; ‘Free speech is not a crime’, ‘Stop literary persecution’. The London Evening Standard ran an interview this week with the Chinese author of Wild Swans in which she stated that, in her opinion, ‘Censorship in China is worse than it was 10 years ago’.

The Chinese Government oversees all media output through GAPP and it is this body which issues the requisite ISBN’s. Since 1949, China has published around 34,000 titles of British books within China. Apparently, ¼ of all books imported into China are from the UK! Through its 600+ Publishing Houses and with a workforce of nearly 57 thousand employees’, China has the largest publishing output in the world by volume (300,000 titles in 2009). It’s a mature and self-confident market set to generate revenues of $9.5billion in 2012. China is poised to take over from the USA in levels of scientific journal publishing.

There are 167,000 bookshops across China, with some state-of-the-art seven-story bookshops in the largest cities. The number of bricks and mortar shops is growing by almost 5% per year! The state-run chain, Xinhua (new China) has 6,483 outlets.

Why is this of any interest to us Brits? Because there are more people learning English in China than anywhere else in the world and more English speakers in China than in the rest of the English speaking world. Language learning is paramount. For publishers, this obviously represents a huge market and a pressing opportunity. There is a very attractive market for educational and English language publishers!

I was very struck by Pearson’s almost evangelical mantra, ‘Not just touching people, but transforming lives through learning’.

Islam – I was forcibly struck by the number of large and impressive Islamic publishing stands at LBF. These were in stark contrast to the mainly small booths of the Christian publishers, aside from the usual welcome presence of Lion Hudson PLC. Islam clearly has plenty of financial backing, is investing heavily in literature and is clearly committed to book distribution in a way that some Christians seem to have forgotten.

Print still dominates, at around 80-85% of the UK market and much smaller elsewhere in the world. We should keep the eBook ‘hype’ in perspective. The digital presence at the Fair was actually quite small, tucked away in one smallish zone. Interestingly, KOBO eReaders have said that 10% of their eBook sales are now for self-published authors. In China, authors are uploading self-published works in instalments, books which are then picked up by publishers and eventually making their way into bookshops; the reverse of our model in the West!

UK Publishers do increasingly view their role as ‘Content Providers’ delivered via various platforms but print currently continues to dominate their activity.

LBF 2012. Quite an event, and yet again, another reminder of just how quickly our world is changing. The tide of globalisation and digitalisation continues to alter the way we all do business yet the basic desire to read remains.

In his summing up, Lord Powell of Bayswater said, ‘The English language is the highway to bring the world to China’. I suspect that China is actually finding her way to the rest of the world!

View more LBF photos here.

Cross posted by Eddie Olliffe.

Introducing Fiona Veitch Smith and Crafty Publishing: David and the Hairy Beast claws its way to market

Fiona Veitch Smith

Fiona Veitch Smith

I MET FIONA VEITCH SMITH online via the Association of Christian Writers facebook group, where she was telling us a bit about her experiences of trying to persuade Christian bookshops to stock her new children’s book, David and the Hairy Beast.

Curious to know more, I checked out her website where I found, to my delight, an excerpt — and loved it. Hopefully, you will too — and you might even find your customers like it as well, but there’s only one way to find out about that…

I invited Fiona to tell us all about it. She writes:

David and the Hairy Beast claws its way to market

When we read of bookshop chains shutting down, publishing contracts becoming scarcer than a footballer without a super injunction and the bogey man of the e-book market changing the way we consume books, then you would be forgiven for raising an eyebrow at a new company launching its pilot title – in hard copy. Add to that the fact that the pilot is ‘self-published’ and the more business savvy among you may well be tutting in disdain. And yet, that’s what Crafty Publishing is doing. My husband Rod and I felt called to start Crafty Publishing using some of the redundancy money he received after being ‘released’ from the NHS. Our vision is to test out the market and distribution chains with a series of children’s picture books that I’ve written and then, if all goes well, start taking on other titles.

But we’re not going into this blindly. I am not a wannabe author who is so desperate to see her name in print that I’d sell the family silver to see it happen. I am already published and produced in a variety of genre including theatre, film and books. I’m currently working on a non-fiction book contract with Lion Hudson and a devotional booklet contract with CWR as well as continuing to work on a series of ghost-written children’s books for the secular market. In addition, I have worked as a freelance editor for Tafelberg Publishing in South Africa as well as for a number of magazines (in the UK and SA).

So why am I publishing my own work? I got a taste for the business side of self-publishing about eight years ago. My first book, Donovon’s Rainbow, was published in South Africa by Vineyard International Publishing (who have subsequently discontinued their children’s line). The book was not distributed beyond Vineyard bookshops in the UK, so when I moved back here in 2002 I asked permission from the publisher to distribute it. Effectively then I took on the job of a self-publisher. I entered the book for the Writers’ News best self-published / independently published children’s book of the year award in 2002 and won. The award gave me confidence to tackle the market and I was able to distribute the book to around 20 bookshops in the UK (secular and Christian).

It was a steep curve and I quickly had to learn about things like wholesale discounts the pros and cons of sale or return, the horrors of cold calling and the shaky financial footing of independent booksellers. I also realised that the title I was trying to sell did not fit easily into existing age categories and that the cover made it look as if it was for a younger readership than it actually was. Despite that, the book went into profit, but we would not do it the same way again.

So when my husband and I decided to launch our own title this year, we had some background to draw on. In addition, since 2002, the internet has become a much more effective marketing tool and as he is a professional software developer, he has been able to tackle that side of things.

But it’s still a scary world out there for a new publisher, not least when dealing with some bookshop managers who consider any ‘retelling’ of a bible story with the same abhorrence they normally reserve for Satan (or Rob Bell). However, there are some great folk too and in the month since the title’s been launched, five bookshops have agreed to stock us and our online sales are ticking over very nicely.

David and the Hairy Beast

David and the Hairy Beast

Our pilot title is called David and the Hairy Beast (retailing at £5.99) and is the first in a series of six books about the childhood of King David. The illustrations are by my design partner, Amy Barnes. We’re working on the next book, David and the Kingmaker, now. It will be ready for distribution in October, in time for the Christmas market. We’ll see how sales go in the New Year before launching the third in the series David and the Giant.

To find out more, please visit www.craftypublishing.com

Fiona Veitch Smith
e: Fiona AT thecraftywriter.com
www.thecraftywriter.com
www.craftypublishing.com
facebook.com/pages/Crafty-Publishing/229271997105270

TEXTS OF TERROR: The World’s Most Frightening Bible?

American Patriot's Bible: The Word of God and the Shaping of America

American Patriot's Bible: The Word of God and the Shaping of America

I first came across this Bible courtesy of our cousins across the pond at STL USA (who themselves now face the indignity of being put up for sale by Biblica, with reassurances from Doug Lockhart that sound eerily reminiscent of Keith Danby’s reassurances about STL UK last year — but that’s another story…).

I hoped and prayed that it was some sort of sad joke — after all, who (apart from Israel) could truly lay claim to the Bible as part and parcel of their national heritage? But no, this aberration, complete with USA flag blended into the cover, is all too real; and now — according to a recent report in Christian RetailingThe American Patriot’s Bible has reached the terrifying position of being one of North America’s bestsellers, reaching No. 5 on amazon.com’s bestseller lists. Despite the title, there really is more than one American patriot.

In an age of global terror threats, when we should surely be seeking ways to bridge the gap between different cultures rather than to push them further apart, the last thing the world needs is a Bible branded with America’s — or any other country’s — identity. If the Bible is the Word of God, it is surely God’s Word for all people, for all nations. Is that not what scripture itself, what Jesus himself, teaches us? No doubt Thomas Nelson’s marketing people had only the best of intentions in mind in their shaping of this nightmare: to encourage the American people; but are their minds really so detached from reality that they can’t see the message that something like this conveys to the rest of the world?

If the “de-Christianisation” of Living Oasis means making a clean break from this sort of insanity, then I am so with Andy Twilley now; but if product such as this is the true face of Christianity in the 21st century then I am, indeed, ashamed of the Gospel. Becky Garrison is right: this must surely be one of those things that makes Jesus look at his Dad and go, “I died for this?”

I suppose we should be thankful for small mercies: they could have featured US Army tanks invading Iraq or Afghanistan on the cover…

Update 25/08/2010: Not US Army tanks, just a specially packaged pocket version for the troops, cunningly designed to match the uniforms. From the Nelson Newsroom:

A condensed pocket edition, bound in the new official MultiCam® fabric used on the U.S. Military’s uniforms and packs, minus the government’s infrared technology, is also available to inspire today’s modern-day patriots in the trenches.

The American Patriot’s Bible Editor Joins Glenn Beck Events

Reintroducing Authentic Media

Recently a friend on facebook asked if I knew what was going on with Authentic Media since the collapse of the old STL: had they survived? The answer, I’m pleased to say, is a resounding yes. I invited them to bring us up to date:

Authentic

Authentic

Following the news of IBS-STL UK going into administration at the end of 2009, many were left feeling in the dark and uncertain about what the future would hold. It was a challenging and unsettling time for us all. On behalf of the Authentic team we want to express our gratitude for all your prayers and kind messages of support.

For those who are not aware, Authentic Media were bought by Koorong Books Pty Ltd, an Australian retail company, on 19th December 2009. We are working extremely hard to establish our new company with Koorong and whilst we still have some difficult decisions to make and various challenges to overcome, we are excited and look forward to strengthening our working relationship with you all.

Mark Finnie, Authentic Media’s Publishing Director adds:

The Authentic team’s strong relationship with authors and customers, its creativity, dedication and passion, combined with the sales and marketing expertise of Koorong, has ensured a great start for the new Authentic. With two awards at CRE, six new titles in the best-sellers lists and great coverage in the media we have valued the support of our loyal customers.

We are pleased to have reprinted many strong sellers this year, including Seriously Funny, Son of Hamas, Song of the Nightingale and Father Forgive and are working on the re-release of five D. A. Carson titles and six further A. W. Tozer books.

We are also pleased to announce that the popular International Children’s Bible is now available once again from Authentic. Unfortunately, due to contractual issues, we cannot say the same for the NCV Youth Bible. We are disappointed that we will no longer be producing this Bible, however, we are pleased to say that we are currently working on a new and exciting Authentic Youth Bible for Spring 2011.

In order for us to rebuild and strengthen Authentic it is important for us to maintain good communication with you all; your comments and feedback are invaluable to us so please do keep in touch:

info AT authenticmedia.co.uk*
www.authenticmedia.co.uk
authenticmedia.blogspot.com
twitter.com/authenticmedia
www.facebook.com/authenticmedia

Once again, we thank you for your patience, kindness and support over the last year.

From all the Authentic team,

Rob Bootes: Executive Director
Donna Harris: Operations Manager
Mark Finnie: Publishing Director
Malcolm Down: Publishing Manager
Mike Parsons: Paternoster Commissioning Editor
Peter Little: Production Coordinator
Liz Williams: Editorial Supervisor
Sarah Gallagher: Marketing Coordinator
Becky Fawcett: Editorial Coordinator
Richard Durham: Data Administrator
Wendy Tyler: Accounts Administrator
* Email address split for spam prevention — Ed.

Dancing with D-words

The Da Vinci CodeThe Da Vinci Code and the Secrets of the Temple
The Dawkins LettersThe Dawkins Delusion

Da Vinci & Dawkins: two D-words that seem to have dazzled the western world and its media over the past three or four years; and we’ve seen a massive spin-off in Christian publishing as writers have rushed in to respond, some at length and in depth, others barely skimming the surface. And blogs galore, of course.

We live, it seems, not in anno domini, ‘The Year of Our Lord’, but in an era of absolute drivel on the one hand and attempted deicide on the other, in an era where blogs can answer every question and none, where everyone knows and nobody goes…

… and where truth is defined not by what we know but by what we believe: truth is whatever we feel passionately enough about to kill for or to die for.

Which brings us to the definitive D-word: Death.

The word none of us wants to face, which comedians try to shrug off with clever quips:

I don’t mind dying. I just don’t want to be there when it happens.

— Woody Allen

But it’s a word — more than a word — from which there is no escape. The great leveller of the good, the bad and the ugly, of Da Vinci, Dan Brown and Richard Dawkins, of you and me.

And yes, of God.

Dawkins’ attempted deicide simply pales into insignificance against the reality of Christ crucified: the human race screams for bloody vengeance and God in Christ accepts it, takes it not like a man but as a man. God is indeed dead.

And afterwards — after that final destruction, after the fire of hell has been once and for all extinguished — comes a still, small voice… a quiet whisper of hope… only to be drowned out by people still screaming, cursing, dying…

Still denying.

Still deceiving.

But some, still daring to dream.

What’s your dream?